Most Popular Articles

  • "Trouble in Oakland" Posted!

    Our last plot-enhanced home movieLe Cochon Coeur was based on a pig roast.  This season's entry, Trouble in Oakland, is based on a goat roast.  What do we have against farm animals?  Nothing really.  You may remember that Leona Helmsley left a lot of money to her dog, Trouble.  You may not have heard about the dog's subsequent kidnapping, or of Trouble's pet goat and pig, kidnapped at the same time.  But that is what this film is all about... Read more
  • The Roast: 2010

    We are preparing for the August 2010 Roast film.  So far the plot looks like this:
     
    A guy on a train headed for Oakland awakens to find a slip of paper in his pocket with Stuart's address, a date and a time written on it.  He has no idea why he is on a train or where the slip of paper came from.  He shows up to find numerous others with similar slips walking around trying to find something in common.  Each one has a tale to tell. 
     
    This is your chance to break out of your everyday persona and into that other person inside your head! Blake and Bill are taking the train to Oakland to film that portion.  We need someone to seduce Blake at the party <more on this later>.  I would like a bit more plot tension, perhaps a sub-plot of someone trying to thwart or mislead people who are trying to find out why they are there?  Ideas?

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  • Adding a Plot

     

    Classic movies begin with a story; if that's what you're looking for, some excellent sources are available.  For example, you can visit Netflix and, within each movie genre, you can get story ideas by just passing your mouse over the movie thumbnails.  Also check out: Plot-O-MaticMovie PlotsThe Movie Spoiler, and The Internet Movie Database—just Google "movie plots" for many good ideas. Norman Hollyn has written an excellent book on storytelling titled The Lean Forward Moment, about story structure, that is well worth the read. 
     
    When you have your story, some great script-writing programs are available, such as Final DraftStoryist, and (for free) Celtx. Some of these programs include a storyboarding feature as well.  If you want to hire a writer and do it right, try Guru.comDirectFreelance.com, or The Scriptwriters Network.  
     
    However, back to reality, most home movies are not professional productions. With a limited budget, it can be challenging to serve as writer, director, actor, and cinematographer, all in the same scene!  When appearing in a scene yourself, you can hand your video camera over to complete strangers, but depending on where you are, that has been known to spell the end of a production.  If you want to use professional talent on the filming end, try Googling "videographers."  Choosing a local videographer to shoot a few scenes can be a great help.  If you decide to do it yourself, there are many informative "how-to" movies on Cineplots.
     
    Although editing is sometimes called "the invisible art",  for me it is the essence of storytelling.  High costs made this art practically inaccessible to the amateur just a few years ago.  Today, programs like iMovie, Final Cut Pro, and Adobe Premiere editing tools are available at an affordable price. And, if you don't feel like getting involved in editing, you can always let a professional do it for you.
     
    "Retroscripting", or scripting on the fly, is an easy way to add a plot to your home movie.  You can find a basic plot using one of the aforementioned techniques.  With the plot in mind, film some ad-libbed scenes, then sew it all together during editing.  Plots involving being chased by someone, trying to find someone who has been abducted, body replacement by aliens, etc., lend themselves to this approach.  The result can be interesting and much less work than fully scripting your work.
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